![]() ![]() Obviously not as big-budget as the Kanye vid, and with a little less gloss, but still an interesting way to mess around with data compression. Laying some foundation to the datamosh trend, last week Chairlift released this Ray Tintori (Court 13) vid for their track “Evident Utensil.” This is the more home-grown, underground, makeshift and raw use of the effect. I still wish he’d take some Percs or something, but whatever. He’s not afraid to push the envelope, and for that you can’t help but respect his artistic drive. If the app was real-time we would be time travelers. We have to break the video frames and then reassemble them in creative ways. ![]() Sure he’s a megalomaniac with Tourette’s, but god damn he’s got some kick ass videos. DataMoshing does not emulate glitch it is a type of glitch. What Björk is to alt music vids, Kanye West is to hip hop. Datamoshing creates a cool trippy video effect that is often used in music. Another technique involves simply transcoding from one lossy video format to another, which exploits the difference in how the separate video codecs process motion and color information. ![]() Now it’s just a matter of who’ll do it well and which big company will soullessly make a campaign out of it “because the kids think it’s ‘dope.'”Ī few days ago Kanye West unofficially released this killer datamosh masterpiece for “Welcome To Heartbreak”, directed by Nabil Elderkin. Learn how to datamosh your videos using a free iPhone (iOS) app called 'Mosh Up'. In video art, one technique used is datamoshing, where two videos are interleaved so intermediate frames are interpolated from two separate sources. ![]()
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